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Artist Portfolios > A > Jon Axelrod


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Time, Acrylic on Canvas, Painting
Time, 2007
Acrylic on Canvas
48" x 24"
USD 2300


Forest Symphony, Acrylic on Canvas, Painting
Forest Symphony, 2007
Acrylic on Canvas
36" x 48" x 1.5"
USD 4800


Musical Proportion test, Oil on Canvas, Painting
Musical Proportion test, 2006
Oil on Canvas
30" x 30" x 1"
USD 3600


Evolutionary synthesis, Oil on Canvas, Painting
Evolutionary synthesis, 2006
Oil on Canvas
41" x 51" x 1.25"
USD 6200


Water and Stone, Oil & Acrylic on Canvas, Painting
Water and Stone, 2007
Oil & Acrylic on Canvas
60" x 48" x 1"
USD 5200


Stem-Cell Stencil, Acrylic on Canvas, Painting
Stem-Cell Stencil, 2007
Acrylic on Canvas
42" x 48" x 1.5"
USD 3800


Dolphin heat and plum jelly, Oil on Canvas, Painting
Dolphin heat and plum jelly, 2005
Oil on Canvas
30" x 42" x 1"
USD 2300


Earthquake intuition, Oil on Canvas, Painting
Earthquake intuition, 2007
Oil on Canvas
20" x 20" x 0.5"
USD 2000


Press Release

Jon Axelrod puts musical arrangements on canvas by deploying innumerable expressive forms. Their distinctly musical properties convey rhythm through their alternating shapes, and the varying silent spaces between them. The Florida native recently graduated from Pratt and lives in Brooklyn, where he also works in sculpture, drawing and photography. His paintings are extremely intricate and abstract, conveying movement and energy without depicting identifiable entities. These colorful forms, nonetheless, take on distinct characteristics of shape, weight and movement. The effect is of a choreographed dance of vaguely cubist abstractions over the canvas's surface.


Indeed, Axelrod also composes digital music, which then serves as inspiration for much of his visual artworks. Not surprisingly, then, his paintings are extremely expressive. Their titles and expressionistic properties create coherent meaning despite the canvases' abstraction. Through form, alternation, color and shading, Jon Axelrod visualizes the ideas expressed by his titles, while also offering viewers many other interpretations. His paintings' titles, then, become only one of the many ways his audience might hear his works.


 

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