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Artist Portfolios > A > ANAMENA


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Jonás y la Ballena, Acrylic on Canvas, Painting
Jonás y la Ballena, 2007
Acrylic on Canvas
47.5" x 71" x 1.5"
USD 3000


EL MUNDO ANCHO Y AJENO, Acrylic on Canvas, Painting
EL MUNDO ANCHO Y AJENO, 2007
Acrylic on Canvas
78" x 78"
USD 3900


Croquis No. 2 Est. No. 19, Oil on Canvas, Painting
Croquis No. 2 Est. No. 19, 2007
Oil on Canvas
23.5" x 48"
USD 1800


ESTUDIO PARA MAGUEY # 36, Oil on Canvas, diptych, Painting
ESTUDIO PARA MAGUEY # 36, 2008
Oil on Canvas, diptych
39.5" x 39.5" x 1.5"
USD 2000


MY PLACE, Oil on Wood, Painting
MY PLACE, 2008
Oil on Wood
48.5" x 18.5" x 1.5"
USD 400


"Minoría selecta", Oil on Wood, Painting
"Minoría selecta", 2007
Oil on Wood
88" x 48.5" x 1.5"
USD 2000


Maguey Studio #25 10x10, Oil on Masonite, Painting
Maguey Studio #25 10x10, 2007
Oil on Masonite
39" x 39"
USD 2000


YING ESTUDIO PARA MAGUEY NO. 22, Oil on Masonite, Painting
YING ESTUDIO PARA MAGUEY NO. 22, 2007
Oil on Masonite
39.5" x 39.5" x 1"
USD 2000


Press Release

Mexican artist ANAMENA’s magical realism vacillates between wonder and fear. Her stylized paintings are often dominated by bold, monochromatic compositions featuring solitary figures, creating enigmatic scenes that are simultaneously magical and potentially terrifying, hanging somewhere between explicit and implicit meanings. ANAMENA shows a preference for economic natural subjects like plants and animals, whose uncanny simplicity imbues them with a threatening edge. Painstakingly rendered organic forms swoop elegantly, small animals sit plainly, engaging viewers’ gazes and imaginations.

 

Beyond ANAMENA’s scrupulous application and familiar subjects, secondary meanings lurk and pictorial harmony risks collapse. Cacti take on prickly, sensual connotations; quaint animals become uncanny omens; beautiful scenes appear on the verge of disaster. Exploring this sublime ledge between beauty and fear ANAMENA articulates visual puns, relishing double meanings attached to archetypal images. At what point, she seems to ask, do familiar symbols stop being attractive and become unnerving? In ANAMENA´S works the two no longer seem exclusive: her figures cling to the ledge between the elegant and the unnerving. 


 

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