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Artist Portfolios > C > Aryn Chapman


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Emily D, Oil & Mixed Media on Canvas, Painting
Emily D, 2005
Oil & Mixed Media on Canvas
16" x 12"
USD 4500


Nude, Oil & Mixed Media on Canvas, Painting
Nude
Oil & Mixed Media on Canvas
20" x 16"
USD 1800


Shallotte, Oil & Mixed Media on Canvas, Painting
Shallotte, 2003
Oil & Mixed Media on Canvas
20" x 16"
USD 3300


Wishing Don't Make It So, Oil & Mixed Media on Canvas, Painting
Wishing Don't Make It So
Oil & Mixed Media on Canvas
20" x 16"
USD 2600


Kate, Oil & Mixed Media on Canvas, Painting
Kate
Oil & Mixed Media on Canvas
40" x 34"
USD 4500


Sunny Blues, Oil & Mixed Media on Canvas, Painting
Sunny Blues
Oil & Mixed Media on Canvas
16" x 12"
USD 1300


Mayfair's Wallpaper, Oil & Mixed Media on Canvas, Painting
Mayfair's Wallpaper
Oil & Mixed Media on Canvas
20" x 16"
USD 2600


Silk Road, Collage, Collage
Silk Road
Collage
16" x 12"
USD 3300


Evening Dogwood, Oil on Canvas
Evening Dogwood
Oil on Canvas
30" x 24"
USD 3800


Marianne, Oil & Collage on Canvas, Painting
Marianne
Oil & Collage on Canvas
48" x 34"
USD 4800


Press Release

Born into a family of designers in New York City's theater community, Aryn Chapman's art balances the importance of cultural roots and the unspoken secrets papering the cracks of experience. Accordingly, her artistic practice incorporates markers of family history into seductive, mysterious dreamscapes. Her richly colorful and layered collages on canvases use multiple media and application methods. Wallpaper lurks beneath newsprint partially obscured by photographs, coins, stamps and illustrations. Moody pastes and paints cover all these, creating nostalgic hues that allow certain elements to leap forth while others reveal themselves gradually.

 

The impression Chapman creates within each canvas is of history determined equally by direct experiences and by the murky half-truths of fantasies and repressed information. Her technique of web-like layering invites connections between these identity factors. Some works seem to address individuals' personal trajectories, while others depict broader cultural experiences. Aryn Chapman doesn't force these narratives on viewers, though. Connections between public and private histories – suggested by framing and positioning within the canvas – emerge progressively.


 

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